Cannes Film Festival: When the Stars Come, a Traverso Is There for Pictures

Traverso said that despite the least relaxed atmosphere, he still loves the day and the take with his subjects. “If the star wants to play with the photographer, it’s a pleasure,” he said. Americans are particularly good at that, he added, and they know “they also have to make a show when they are in front of a photographer.”

David Lisnard, the mayor of Cannes, who knows through the 1990s, said in an email that his contributions to the festival have “immense” bone.

“Through his shots, we are witnessing the evolution of the festival,” said Lisnard. “It is an exhaustive and precise collection with artistic and historical value.”

Until recently, Traverso would spend the rest of his time taking independent photographs for local rookies such as Nice-Matin, which described it in the 2016 article as “The White Wolf”, which was stained with ride. MoticeCycycycycycycycycycycycycycycycycycycycycycycycycycycycycycycy Cigringo. According to the pleasant matinadora, he and the members of his family had worked with the newspaper since 1945.

Thierry Frépply, director of the festival, said in an email that the photographer’s work has a crucial bone for the success of the festival, and that Traverso, whom he has met since 2001, “has a special place and an additional cany: it is from Lanage and Lanage Lage and Lage Lage and Lage Lage and Lage Lage Lage and Lage.

Next year will be 50º Festival, “if God and Thierry Fénux want,” he said. But otherwise he focuses on his family’s legacy and his permanent archive that includes about 200,000 photos of the festival. It has occasionally used some of them in exhibitions in other cities, including New York, London and Tokyo.