6 (Genre-Smashing) New Songs You Should Hear Now

Dear listeners,

This is Joe Coscarelli, music reporter at The New York Times and Lindsay’s colleague at the culture counter, completing this amplifier. Fortunately, I have had reproduction lists in my recent mind, because I had the pleasure of organizing a workshop called “How to make the perfect reproduction list” in the annual Take Our Kid Kids Day Times Day Times last week.

As a group, we talked about the importance of mood, flow, gender and discovery when it comes to making a good mixture, but I (mainly!) I followed the example of children when it comes to choosing what was in our perfect and thematic reproduction lists. (You can see the results of our sessions here and here; they are pleasantly upset). The truth is that, despite having a decade in this intensive work in music and in the previous decade as a fanatic and an obsessive collector, I am not always always that I am always very Bunch or Playerming a lot or a lot of a lot or a reproduction list a lot or game.

In the event that I have to maintain a quarterly deposit of all the songs that I am going back through a certain season, so I can travel again to any part of my recent life and have relevant and relevant transport.

Now that the weather is finally turning forever in New York (… right?), I have a new one for spring that tend to tend towards a spirit of renwal and liberation. Here are some new songs that are original, addictive and hopeful enough to fit.

Listen while reading.

1. Bon Iiver: “De”

The new amazingly sensual and optimistic Bon Iver album, “Saber, Fable”, is a pointed rejection of the band-sack reputation of the band, along with what had been happening in the life of the singer and composer Justin this did so. For me, the album reaches its maximum point in the middle with the consecutive “I swear I’m in love“Day One”, which presents Dijon voices, and “from”, which has Mike Gordon guitar, also known as MK.gee, two nearby collaborators who have traveled Bon Iver. The three artists are investing in recovering, and subverting, and subvering, and underriating, and subsidizing, and subvanding, and subvanding, and subvanding, and subvanding, and sub -nasting, and sub -nasting, and sub -vezing, and sub -vagating “wear of its collaboration, the bridge of” of “is obtained every time.

▶ Hear Spotify, Apple Music or YouTube

2. Screw: “Never enough”

The ambitious post-scheme band of Baltimore, is playing with electronic vintage sound products in the introduction to the main song of its strengthening album. It is difficult to place in time, that for a band that seems to have an increasingly difficult pleasure to be difficult to classify by gender, it feels like a next logical step.

▶ Hear Spotify, Apple Music or YouTube

3. Bigxthalug with Bailey Zimmerman: “All the way”

Having become silent one of the most reliable and fundamentally solid rappers of the moment, Bigxthalug is exploiting and crossing with, what else, in 2025? – A collaboration in the country. “All the way,” with Bailey Zimmerman, could scan as a cynical if the regimented Bigx flow and baritone command, especially when it is contrasted with the complaining year of Zimmerman, did not fit so perfectly in this type of vehicle.

▶ Hear Spotify, Apple Music or YouTube

4. Dream token: “Caramelo”

Another gender clash that caused me a genuine shake when I knew that somehow this is a top 40 song in Billboard Hot 100. Sleep Token, I soon learned, it is a British experimental metal band that works anonymously, in made elaborate and pseudonyms, the slipknot. “Caramel” is the new single from the group of fourth wall of the wall of the group’s wall on what it is to be taken from the shadows by the growing popular and obsessive fans (“This stage is a prison”). But only without tradition, the change of Soundcloud Sing Straping about a pseudo-reggaeton rhythm to a punishing breakdown is among the Wildst dynamics that I have heard in a song so far this year.

▶ Hear Spotify, Apple Music or YouTube

5. Cortisa star: “Paris”

The young experimentalist of Rap Cortisa Star went viral at the end of last year because of how her look and sound from her block free block for “fun” was: “It’s time for me to stand up and admit … Maybe I saw me a little crazy here,” he published. “But the shock value of the clips out of context in social networks stood out and obscured the vision. In context, Star carries the torch for the Hyperpop hip-hop portion, and the flexion in” Paris “, on a trip to the fashion week to make its debut on the track for Miu Miu, is only an appropriately high collision of the Internet.

▶ Hear Spotify, Apple Music or YouTube

6. Lil Yachty and Veze: “You can’t be Crette boy”

The most delinquent all-stars of the Mumble Rap, having stayed enough to survive the fingering of the pejorative, assumes a 2000 mixtape classic in the form of a rhythm for “i’m ready” of The Diplomats de Cameron. Then, the rhythm changes, but disrespectful boasts remain fast fire, causing repetitions to listen necessary to catch nuances both in the flows and in the letters.

▶ Hear Spotify, Apple Music or YouTube

The amplifier playback list

List of songs of “6 (genre-fatido) that you should listen now”
Track 1: Bon Iver, “De”
Track 2: Torniquete, “Never enough”
Track 3: Bigxthalug with Bailey Zimmerman, “All The Way”
Track 4: Sleep Token, “Caramelo”
Track 5: Star Cortisa, “Paris”
Track 6: Lil Yachty and Veeze, “Can’t Be Crette Boy”