Five International Movies to Stream Now

‘How to do millions before the grandmother dies’

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The first characteristic of Thai director Pat Boonnitipat was a box office sensation in Asia when he left theaters last year. It is easy to see why. “How to do millions before the grandmother dies” is the rare family drama of feeling good that pulls the strings of the heart, but with a warm and gentle naturalism that never leans in the cloying melodrama.

M (Puttpong Assaratanakul) is a faster with useless dreams of becoming a great player who lives from his mother. When M mornea inherits a fortune after taking care of his dying grandfather, M realizes that there could also be an opportunity to make money on the horizon for him: His grandmother (Usha Seamkhum) has just been diagnosed with late -stage cancer. Suddenly, he inserts himself into his life, to his initial surprise and skepticism.

As you can predict, the pretense of attention of m possible becomes real palpable, but there are no gadgets in this patient and attentive film. Asssaratanakul and Seamkhum contribute a discreet target and sensitivity to the clumsy interactions of their characters (such as when m clonting to their grandmother and confuses its mole with the nipple) so that at the end, its false emotional.

In This Gorgeous Animated Drama, The Iranian Director Sepideh Farsi Spins A Grand, Tragic Fairy Tale Out of A Little-Known Slice of History: The Siege of Abadan, A Major Oil Port in the South of Iran, Duration The Iran Director, Zave War, Zave War, In Jar, In War, In War, In War, In Jar, in Jar, in Jar, in Jar, in Jar, War, Zave War, Zave War, Zave Guerra, War, War, War, War, Waror, War, Waror, in the Red, War, War, War, War, War, War, War, War, War, War, War, War, War, in Jar. A fluid and two -dimensional style, the film follows the 14 -year -old OMID, who stays with his grandfather after his mother and his younger brothers Huyan in the city; His older brother has joined war, and Omid refuses to leave without him.

La vida de Omid de fútbol y peleas de gallos pronto se detiene en medio de implacables ataques de bombas, y ocupa un trabajo entregando a Biryani en su bicicleta a los residentes remoinales de los residentes de Abadan, un equipo ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero ingeniero Engineer Engineer Engineer. Beautiful singer, once legendary who has been prohibited from the revolution.

While Omid adheres to a plan to take this group to a safe place in the old boat of his late father, “the siren” attributes the harangue of war with bursts of magical realism that includes a climate and hope, Romety of Beach of Beach of Betty.

‘Youth trilogy’

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The transmission of a 10 -hour three -hour documentary set in Chinese clothing workshops at home may seem like an absurd exercise, even masochistic. Wang Bing’s “youth” trilogy is really long, without a linear narrative and, often, repetitive. But this portrait of the invisible work that feeds the consumerism of the world is also intensely holes, such as reality television, but without the sensation or manipulation.

Filmed between 2015 and 2019 in the Chinese city of Zhili, a center of small private -owned textile factories, the three films of the series immerse us in the workshops where 20 and otherwise in the distant provinces work long -time clothes. The scenario is oppressive, narrow and sunless rooms in which the workers push pants after pants, shirt after shirt, vest after vest, but Wang’s gaze is never unfortunate or exploiting. Their subjects are young and lush, and in the three chapters, we see them fight, laugh, flirt, cry and join together in an attempt to negotiate higher wages.

The duration of the trilogy, although discouraging, is essential. The footage is raw and closely, and in the course of ten hours, it viscerally transmits insatiable implacability, not mentioning, monotony without soul, or this son of mass production. Watch thesis movies and you’ll never look at your clothes in the same way.

‘Thunder’

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In the heart of this austere Swiss drama set in 1900 is the surprising presence of actress Lilith Gras Mosquito. Sometimes, Maria Falconetti’s iconic face evokes in the classic “The Passion of Joan of Arc” by Carl Theodor, Dreyer, from 1928. That influence of the movies is undeniable in the piece of provocative period of Carmen Jaquier, which follows, which follows A follows a. A follow a. A continues, a Youngstows a. A young a. The convent in which he is training to be a nun and sent back to the family’s house after the death of his older sister, innocent. The environment that Elisabeth returns feels foreigner, has been out for several years, and abounds in tacit secrets; No one will tell him what happened to his promoter, except for some whispers on “the devil” and the accusatory looks to the Church. Little by little, discover traces left by his sister and begin to understand a different child of religious devotion, one driven by flesh and his wishes. Grasmug’s face, or framed in the foreground against the curtain of rural and mountainous background, is the scenario where the dramas of the films are developed. Without spelling their themes and ideas, the “thunder” weaves an enthusiastic fable of female self -esteem and the spiritual importance that feels surprisingly modern in its historical place.

‘Light light’

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Two teenagers measure in a Finnish city. Mariia (Rebekka Baer) is shy and reserved, and a good day of two shoes; Mimi (Anni IIkanen), recently arrested at school, smoke and drinks, and is shameless and bold. Mimi takes Mariia out of her shell and sparks fly; They soon kiss in the forest and sneak out for trips to the beach.

“Light Light Light” follows the tropes and contours of the gay age to an T. But the director, Inari Niemi, places the film at a specific moment in history: the sequels of the Chernobyl nuclear disaster in 1986, that the advances the clouds of orange pink, drifting throughout the east of Europe, are found in the sky over the city, exuding both beauty and terror; Television and Radio programs offer security advice; The people of the town take iodine pills and fight against strange pain and discomfort. A sensation of tragic and romantic fatality suffers the air and becomes the backdrop for the naive adventures of Mimi and Mariia, before the true doom arrives, much more banal than the radioactive explosions. Cash in flashbacks as the greatest Mariia returns to visit her hometown to take care of her mother affected by cancer, the film is as bitter as sweat, the capture of pica themes when the fantasies of adolescence are the harsh realities of adult life.